2666

GOODMAN THEATRE, CHICAGO, 2013
By ROBERTO BOLAÑO
Adapted and Directed by ROBERT FALLS and SETH BOCKLEY

ANA KUZMANIC – Costume Design
WALT SPANGLER – Scenic Design
AARON SPIVEY – Lighting Design
RICHARD WOODBURY – Sound Design
MIKHAIL FIKSEL – Sound Design
SHAWN SAGADY – Projection Design

CAMINO REAL

GOODMAN THEATRE, CHICAGO, 2012

By TENNESSEE WILLIAMS, Directed by CALIXTO BIEITO
Adapted by CALIXTO BIEITO and MARC ROSICH

ANA KUZMANIC – Costume Design
REBECCA RINGST – Scenic Design
JAMES F. INGALLS – Lighting Design
RICHARD WOODBURY – Sound Design

MEASURE FOR MEASURE

Goodman Theatre, Chicago, 2013
Directed by Robert Falls

ANA KUZMANIC – Costume Design
WALT SPANGLER – Scenic Design
MARCUS DOSHI – Lighting Design
RICHARD WOODBURY – Sound Design

Treasure Island

DESIRE UNDER THE ELMS

Goodman Theatre, Chicago, 2009
St. James Theatre, Broadway, NYC

Directed by Robert Falls

ANA KUZMANIC – Costume Design
WALT SPANGLER – Scenic Design
MICHAEL PHILIPPI – Light Design
RICHARD WOODBURY – Music and Sound Design

With:
Brian Dennehy (Ephraim Cabot)
Carla Gugino (Abbie Putnam)
Pablo Schreiber (Eben Cabot)
Daniel Stewart Sherman (Simeon Cabot)
Boris McGiver (Peter Cabot)

The Count of Monte Cristo

Trailer: ‘The Count of Monte Cristo’
Oregon Shakespeare Festival, 2015

CHERRY ORCHARD

Goodman Theatre, Chicago, 2022
Adopted and directed by Robert Falls

Costume Designer: Ana Kuzmanić
Set Designer: Todd Rosenthal
Lighting Designer: Keith Parham
Original Music and Sound Designer: Richard Woodbury

The Jacksonian

AUGUST: OSAGE COUNTY

STEPPENWOLF THEATRE, CHICAGO, 2007 (World Premiere)
IMPERIAL THEATRE, BROADWAY, NYC
NATIONAL THEATRE, LONDON
SYDNEY THEATRE, AUSTRALIA

Directed by Anna D. Shapiro

ANA KUZMANIC – Costume Design
TOD ROSENTHAL – Scenic Design
ANN G. WRIGHTSON – Light Design
RICHARD WOODBURY – Sound Design
DAVID SINGER – Original Music

FLORENCIA EN EL AMAZONAS

The Metropolitan Opera, New York City, 2023

Production – Mary Zimmerman
Set Designer – Riccardo Hernández
Costume Designer – Ana Kuzmanić
Lighting Designer – T.J. Gerckens
Projection Designer – S. Katy Tucker
Choreographer – Alex Sanchez
Composer – Daniel Catán
Librettist – Marcela Fuentes-Berain

THE COUNT OF MONTE CRISTO

OREGON SHAKESPEARE FESTIVAL, 2015
Directed by Marcela Lorca

ANA KUZMANIC – Costume Design
SIBYL WICKERSHEIMER – Scenic Design
KARIN OLSON – Lighting Design
SARAH PICKETT – Composer/Sound Designer
CHRISTOPHER DUVAL – Fight Director

2666

A soaring adaptation of Chilean-born author Roberto Bolaño’s masterpiece, 2666 begins with a group of hapless European academics hot on the trail of an elusive author—a search that leads them into the dark heart of a Mexican border city where the murders of hundreds of women remain unsolved. This story gives way to a surprising, panoramic portrait of the 20th century that spans more than 100 years and jumps from Spain to Mexico to Germany and beyond, illuminating the power of literature to reflect and transform the world. An unflinching look at the nature of evil, 2666 is an ambitious new work unlike any other theatrical experience.

EURYDICE

Music: Matthew Aucoin
Libretto: Sarah Ruhl
World premiere: February 1, 2020, at LA Opera

A co-production of LA Opera and the Metropolitan Opera.

Creative team:
Conductor: Matthew Aucoin
Director: Mary Zimmerman
Set Designer: Daniel Ostling
Costume Designer: Ana Kuzmanić
Lighting Designer: T.J. Gerckens
Chorus Director: Grant Gershon
Choreographer: Denis Jones

The Road to 2666

The Road to 2666: Designer Ana Kuzmanic on Costuming the Characters of Bolaño’s Universe

THE MUSIC MAN

GOODMAN THEATRE, CHICAGO, 2019
Book, Music & Lyrics by Meredith Willson
Based on a Story by Willson and Franklin Lacey
Directed by Mary Zimmerman

ANA KUZMANIC – Costume Design
DANIEL OSTLING – Scenic Design
T.J. GERCKENS – Lighting Design
JERMAINE HILL – Music Director / Conductor
RAY NARDELLI – Sound Design
DENIS JONES – Choreography

CAMELOT

WASHINGTON SHAKESPEARE THEATRE COMPANY, 2018
Directed by Alan Paul

ANA KUZMANIC – Costume Design
WALT SPANGLER – Set Design
ROBERT WIERZEL – Lighting Design
KEN TRAVIS – Sound Design
MICHELE LYNCH – Choreography
DAVID LEONG – Fight Choreography
JAMES CUNNINGHAM – Musical Director

Wonderful Town

Mary Zimmerman deftly directs a lavish revival of Leonard Bernstein’s classic musical, featuring a company of more than 40 actors and musicians. If you’re looking for larger-than-life staging and rich music-making, this show’s for you!

THE WINTER’S TALE

GOODMAN THEATRE, CHICAGO, 2019
Written by William Shakespeare
Directed by Robert Falls

ANA KUZMANIC – Costume Design
WALT SPANGLER – Set Design
AARON SPIVEY – Light Design
RICHARD WOODBURY – Sound Design

THE SEAGULL

Goodman Theatre, Chicago, 2010

By ANTON CHEKHOV, Directed by ROBERT FALLS

ANA KUZMANIC – Costume Design
TODD ROSENTHAL – Scenic Design
KEITH PARHAM – Lighting Design
RICHARD WOODBURY- Sound Design

Winter’s Tale

Goodman Theatre, Chicago, 2019

Directed by Robert Falls

ANA KUZMANIC – Costume Design
WALT SPANGLER – Scenic Design